Cast

Jeremy Barlow

Jeremy graduated from GSA Conservatoire in
2006.
Theatre credits include: Jesus (film section);
Vernon God Little (Young Vic); Dick Barton in Dick
Barton: The Making Of A Legend (Warehouse
Theatre); George Widener in Titanic the
Musical (Electric Theatre); Skin Lad in Road (Belair Theatre).
Film and television credits include: Valley Ninja in Y Pris (HTV); Jeremy in Is It Me? (Freehand); Robert Ballard in Frontline – Battle Green (One Man Band Productions).



Nicola Blackwell

Theatre credits include: Margaret Thatcher in
Market Boy (National); While I Was Waiting
(ENO at the National Theatre Studio); Mountain
Language (Royal Court); Strike Gently Away From Body, Tintin (Barbican run) and Perilous Stuff (all for the Young Vic); Gawain (Royal Opera House); The Sound Collector (Sheffield Crucible); You Hang Up First (Contact Theatre, Manchester); The Woman Who Swallowed A Pin (Southwark Playhouse); Class Club and Curing Homosexuality (Duckie); The Tempest (Arts
Threshold); Paper Walls, Double Glazing and
Unanswered Questions (all for Scarlet); Iron Dreams and Families and How to Survive Them (Pop-Up) and Lizzie Borden in The Lizzie Play (Wink).
Nicola is a member of the legendary experimental
company, The People Show. Projects include 118 – The Birthday Tour; 113 – Baby Jane (Fringe First winner), 114 – Play Dead and 112 – The Arts of Escape.
She inaugurated the Young Vic Shorts programme for the Genesis Directors Project.
Television credits include: Casualty; EastEnders and The Bill.
Film credits include: Cheese and Shining Through.
Cabaret credits include: The Jammy Tarts for Duckie and Crevice Tool and the Attachments for The People Show at the Spiegeltent.
She is also a gardener and a beekeeper.



Neil D'Souza

Training: RADA, University of Ulster (BA
Hons).
Theatre credits include: Tintin (number 1 Tour);
The Man of Mode (RNT); Our Country’s Good, A
Midsummer Night’s Dream (Colchester
Mercury); Twelfth Night (Albery Theatre);
Midnight’s Children (RSC); Richard III (Haymarket, Leicester); The Merchant Of Venice, The Honest Whore (Shakespeare’s Globe);
Merchant of Venice (English Shakespeare Co); Skeleton (Soho Theatre); Staying On (Theatre of Comedy); A Little Princess (Library Theatre).
Television credits include: The Bill (Thames TV);
Happiness (BBC); Absolutely True (Channel 4/
Paramount); Back Up (BBC).
Film credits include: Gateway to Heaven (Veit Helmer Prods); Ganga Guest House (Deutsche Film); The Late Twentieth (Timeless Pictures); My Sweet Home (Twenty Twenty Vision); Love Letters (Wide Angle Prods).
Radio credits include: Goan Flame, The Real Oleander (BBC).


Anil Desai
Theatre credits include: The Fortune Club (Tricycle and Leicester Haymarket); The Nigerian Spam Scam (The Pleasance, Edinburgh
’04), The Giant Pineapple Boys in Hollywoodn’t
(Gilded Balloon, Edinburgh ’01, ’04 and Hen and Chickens Theatre); Let’s Talk Business (Soho Theatre); My Dad’s Corner Shop (Birmingham Rep); What Shall We Do With The Body? (Man in the Moon); One Night: When Love And Desire Became A Sin (Theatre Royal Stratford East); The Simpleton Of The Unexpected Isles (Orange Tree); The Cruise (The Waterman’s);Mirad (National – Studio); Deathwatch (Southwark
Playhouse); The Promised Land (Young Vic); Road Cockpit Theatre); Hanky Panky (The Tricycle).
Television credits include: Doctors (BBC); Keen Eddie (Paramount); Re-Ignited (Ideal World/Channel 4); Mr Charity (BBC); Orrible (BBC); The Bill (Pearson TV); Barbara (Carlton);The Belief Files (BBC Scotland);
Goodness Gracious Me (BBC).
Film credits include: Brown Like Me (Inif Films); Decreed (HTV); Better Late Than Never (Chulo Films); Laajool (Cumbersome Films); Crucial Tales: Phoenix (BBC/Crucial Films); The Drive (Anglia TV).
Radio credits include: Mela Mania (BBC Radio 4); Balti Kings (BBC Pebble Mill); Survival Kit (BBC World Service); The Red Oleander (BBC Radio 4).


Stephen Finegold

Stephen trained at Central School of Speech and
Drama.
Theatre credits include: The Golden Goose and
Oliver Twist (Manchester Library); Macbeth and
Merlin (Derby Playhouse); Map Of The Heart,
Duchess Of Malfi and Macbeth (Salisbury
Playhouse); The King Stag, Twelfth Night and As I Lay Dying (Young Vic); Antigone (Everyman, Cheltenham); Life Of Galileo (BAC); Horse And Carriage (West Yorkshire Playhouse);Arabian Nights (the Dukes, Lancaster); Coriolanus and
Richard II (Almeida, NY and Tokoyo); Winner Takes All (Orange Tree); Rats, Buckets And Bombs (Nottingham Playhouse); Haroun And The Sea of Stories (RNT); Brand (National Theatre Studio); Woof (Birmingham Stage Co); King Ubu (Gate Theatre); Charlotte’s Web (Library Theatre, Manchester); C’est Tout Ma Vie (Drak
Theatre Company); Salesman’s First (Theatre Royal,Wakefield); Shadow Play (Plays Ablaze) and Everyman, Thatcher’s Women, Another Man In The Dark and Blood Wedding (Theatre In The Mill).
Television credits include: The Only Boy for Me (ITV); Absolutely Fabulous, My Family, Rough Justice and Crocodile Shoes (BBC); Days Like These (LWT); Heartbeat and Emmerdale (YTV); Backstage (Anglia); Gasp (Zeneca) and The Power of One (Mainstream).
Stephen is Associate Director of Works Well
Productions and has had three plays published.



Nina Kwok

Nina was born in Hong Kong and came to live in
London when she was six.
Nina trained at Mountview and previously
graduated from Warwick University with a theatre degree.
Theatre credits include: international bilingual
productions with Yellow Earth Theatre Company both in Hong Kong, The Nightingale, and in Shanghai last year where she played Cordelia in King Lear as part of the RSC Complete Works Festival 2006. She also performed in BBC Radio 4’s production of The Flower Room and has most recently appeared in two episodes of Holby City
as the translator Robbie Ling this year. She also worked on several films (particularly horror films) one of which will be screened in London this summer.



Steven Lim

A graduate of The London Academy of Music and
Dramatic Art (LAMDA).
Theatre credits include: The Thought That Counts
(Theatre Rites); Hergé’s Adventures of Tintin (The Young Vic); It’s A Long Road (Polka Theatre); A Million Hearts For Mosley (LAMDA) and Walking Into Doors (Action Theatre
Singapore).
His film and television credits include: CutSleeveBoys (Rice Is Nice Productions); Jam (Abelo Productions); That’s the Way I Like It (Miramax Films); The Teenage Textbook Movie (Mega Media); NumberJacks (CBeeBees); Little Britain (BBC); Growing Up seasons I-V and School Days series I and II (Television Corporation of Singapore) and Touch (Media Works).



Daniel Llewelyn Williams

Daniel is a native South Walian and trained at
LAMDA.
Theatre credits include: Suddenly Last Summer, An Inspector Calls, Troilus And Cressida, Brassed Off (Theatr Clwyd); Romans In Britain (Sheffield Crucible); The Three Musketeers (Titchfield Abbey Festival); My Sainted Aunt (New
End Theatre); Macbeth, A Midsummer Night’s Dream (Tour de Force).
Film credits include: Vanity Fair (Focus Features);
Charlotte Grey (Warner Bros.); The Gigolos (Punk
Productions); Down in the Tube Station at Midnight (Big-Boy Productions).
Television credits include: EastEnders (BBC); Torchwood (BBC); Ultimate Force II (Bentley Productions); The Birthday Show (Helter Skelter).
At LAMDA: On the Town; Scenes From the New World; Hobson’s Choice; Today by Robert Holman; The Innocent Mistress; Romeo and Juliet; Mother Clap; Coriolanus.
Daniel is also a fight director. His credits in this capacity include: The Three Musketeers (Titchfield Abbey); Hamlet (Wild Thyme); The Things We Do for Love and Private Lives (Bill Kenwright).


David Newman
Training: BA (Hons) Liverpool Institute for
Performing Arts.
Theatre credits include: Faust (Punch Drunk and
National Theatre); Wars Of The Roses (West
Yorkshire Playhouse); Halflife (the Blue
Elephant); Heart Of A Dog (Assembly Rooms); The Graduate (the New Vic); Mary Stuart (the Union Theatre); The Adding Machine (Courtyard Theatre); Gogol’s Underdogs (the Smirnoff
Underbelly); The Waiting Game (King’s Head Theatre) and Ghosts in the Cottonwoods (Arcola Theatre).


Matthew Parish

Trained at the Guildhall School of Music and Drama.
Theatre credits include:The Mirror For Princes
(Barbican BITE); Macbeth (Hull Truck); Freedom Of The City (Finborough); The Promise, Road and Twelfth Night (Mercury, Colchester); A Midsummer Night’s Dream and Charley’s Aunt (BTS).
Television and film credits include: Nuts and Bolts
(HTV); Tick Tock Lullaby (Valiant Doll); tvcc (Tumble Hill).



Dominic Rouse

Dominic trained at Central School of Speech
and Drama. He is a founding member of LFY
Theatre.
Theatre credits include: Dying for It (Almeida Theatre); Amadee – Or How to Get Rid of It (Young Vic/Jerwood Theatre); Aslan Doesn’t Live Here Anymore (Tristan Bates Theatre); The Lion, The Witch And The Wardrobe (West
Yorkshire Playhouse); Dealer’s Choice (New Vic, Stoke); The Entertainer (Derby Playhouse); Iphigenia, Teeth ’n’ Smiles (Sheffield Crucible); Shopping and F*****g (Edinburgh Festival).
Television and film credits include: Auf Wiedersehen Pet and Absolute Power.



Dai Tabuchi

Born: Nagoya.
Trained: Rose Bruford College/Ecole Phillipe
Gaulier.
Theatre credits include: Tojyo in The Long And The Short And The Tall (Sheffield Theatres/Norwich Theatre Royal); Pisanio in
Cymbeline (Shakespeare’s Globe, International
Fellowship Representative of Japan).
Film and television credits include: Munich (Stephen Spielberg); Choshu Five (Shou Ishiguro); Basho (Babak); Holby City (BBC); Hornet Queen (BBC, Narration).
Radio credits include: A Pale View of Hills (Radio 4); Giles Wemmbley Hogg Goes Off (Radio 4); Cherry Women Cherry Men (Radio 3).



Daniel Tuite

Training: Rose Bruford College of Speech and
Drama.
Theatre credits include:The French Lieutenant’s
Woman (tour), Metamorphosis, Cyrano de Bergerac, His Dark Materials, A Prayer For
Owen Meany (National Theatre); Beauty And The
Beast (RSC); Privates On Parade (Donmar Warehouse); The Secret Garden (Salisbury Playhouse); Cabaret, Twelfth Night (Theatre
Royal, York); Metamorphoses, Gilgamesh, Lords And Ladies, A Midsummer Night’s Dream, Red Riding Hood, Aladdin (London Bubble); The Tempest (Polka Theatre); Macbeth, King Lear, Richard III, Treasure Island (Oddsocks).
Television credits include: White Teeth, Animals, Down To Earth, Casualty, Doctors, Bloodlines.
Film credits include: Lecture 21,What A Girl Wants, Andy Candy.
Daniel has also toured extensively as a band member of Aqualung, and contributed to the album Still Life.


Miltos Yerolemou
Miltos recently played Big Jule in the Donmar’s
production of Guys and Dolls directly from the 2006 Aldeburgh Festival production of The Rake’s Progress.
Recent theatre credits include: the world premiere of Yikes for the Unicorn Theatre 2006; Underground – a site-specific production for
DreamThinkSpeak Theatre Company (Brighton Festival and Barbican Season 2005).
Miltos created and played the role of the Yeti in the 2005 Barbican production of the world premiere of Tintin for the Young Vic Theatre Company. Miltos has also previously appeared in Young Vic productions of Sleeping Beauty and
The Counting of Years.
For the Royal Shakespeare Company Miltos has appeared in The Winter’s Tale (Barbican Theatre) and performed and created the roles of Emil and the Beastman in Beauty And The Beast (the Swan Theatre, Stratford Upon Avon – Seasons 2003 and 2004). He played Mr Reepicheep, The
Satyr and played and covered Mr Tumnus in The Lion, The Witch And The Wardrobe (The World Premiere 1998 at the Barbican Theatre and the Swan Theatre 1999 season).
Miltos appeared as Hanuman and Pac in both the National Theatre and Birmingham Rep productions of The Ramayana.
Regional theatre credits include: Jungle Book (Theatre Royal, Northampton), Romeo and Juliet and The Misanthrope (Chichester Festival Theatre), A Servant To Two Masters (Belgrade Theatre, Theatre Clwyd, Nottingham Playhouse and a previous production at The Croydon Warehouse).
For The Manchester Royal Exchange, Miltos
has appeared in Sherlock Holmes Iin Trouble, Wolk’s World and Animal Crackers (also UK tour and Barbican Season).
Miltos has also appeared in seasons for English National Opera, Belgrade Theatre, Leicester Haymarket and International Tours with Might and Main Theatre Company.
Directing credits include: Rumpelstiltskin (Belgrade Theatre), Servant To Two Masters (Croydon Warehouse), People Who Don’t Do Dinner Parties (Brighton Festival) and Touched, Sin, The Promise and Very Old Man With Enormous Wings (Might and Main Theatre).
Screen credits include: The West Wittering Affair, Only Boy for Me (ITV), Men in Frocks (BSkyB), The AA Commercial – Postbox (Rapier Productions), My Family, Absolutely Fabulous, Walking With Beasts, Hububb (Series 1 – 5),
Shakespeare Shorts – Macbeth (BBC), Neanderthals (Wall to Wall TV for Channel 4), Black Books (Assembly Film and TV), Funny Bones (Disney).